

MICRO-PERFORMANCE vol. 1
The following text was written and performed by myself at The Imperial Pub in Toronto, January 14th, 2018 as part of a birthday...


Theatre & Post-truth: fracture in the haze
I’m an illusionist. It’s a big part of my job. Pinned to the inside of my trench coat are maps to worlds that don’t exist. Or, supposedly...


tools of force in the language of power
While in Berlin I was asked by the incomparable Maria Milisavljević to contribute to her new venture, SEDUCE, a collection of writings...


this city is a red wig i’m wearing
Camden People's Theatre is premiering lulu v.3 // who do lulu? you do lulu? the show I co-created with ted witzel. In preparation for out...


Make Sure You Choose a Knife That Can Cut Through Bullshit
I had the pleasure of being asked by Michael Wheeler to come on board as a maker for The Spider Web Show, an online political platform...


EDGE OF TEARS // A Manifesto For Resistance
There is a state of being I refer to as “edge of tears”. The name is not cryptic. If you have experienced this state, you know which...


The Perfect Addiction // For Town Crier Magazine's 'Writing the Body' Series
Writer, poet, and guest editor for Town Crier Magazine, Kilby Smith-McGregor, asked me to contribute to her month long series entitled...


We Are All Alone Together
Thoughts on Feminine Principles in Performance & Creation Vol. 2 On Jill Connell’s “The Supine Cobbler: A Contemporary Western For Girls”...


Down by the tracks // Women on the fringe
Thoughts on Feminine Structures in Performance & Creation Vol.1 Don’t Blow Your Cover Girl… On Jill Connell’s “The Supine Cobbler: A...


Why Is a Passionate Woman a Terrifying Thing?
I belong to a group on Facebook called the Facebook Relay Interview. It functions as the title (hopefully) suggests. Someone asks...